So you’re finally on your way to figuring out this whole photography thing. You already know you should have your camera with you; you’ve shot photos by the hundreds, if not the thousands, always working to hone your craft; and you’ve trained your eye to look for a photo opportunity in nearly everything you see. All well and good, right?
Here’s the thing: there is such a thing as trying too hard. Mind you, I’m not talking about the effort that goes into getting the composition you want, or making sure your settings are the optimal ones for whatever you’re shooting — that’s time well spent. What I’m referring to instead is… well, trying to make chicken salad out of chicken shit. Sometimes, whether it’s because of the lighting, the weather, or even just the subject itself, there’s something in front of you, but there’s just no photograph there.
I understand that itch we all get, and the need to scratch it. You know the one I’m talking about; you’ve been walking through a location for what seems like hours, and you’ve yet to see a single thing worth photographing. Everything looks flat and dull, and before you know it, you start to feel a bit flat and dull yourself. Your shutter finger gets itchy, maybe your eye starts to twitch a little because it’s been away from the viewfinder for too long. You’d hate to spend a perfectly good day out with a perfectly good camera only to come home with an empty memory card. So you compromise. You settle on shots that, on a better day, you wouldn’t bother with, or you start trying to compose interesting shots of topsoil.
If you’re really struggling with the shot, to a point where it’s not simply a matter of getting the basics right (composition, lighting, settings, et cetera) as much as it is a nagging feeling that maybe you’ve got your subject wrong, listen to what your instinct is telling you. Let it go. Trying to find the right photo at the wrong time, or in the wrong place, is like trying to find an Eames chair at Wal-Mart. It probably isn’t going to happen, and if it does, it’s probably going to be a pale imitation of the real thing. There’s no shame in leaving the camera at your side, or putting it in its bag. Nor, for that matter, is there anything wrong with waiting ’til something comes along that’s really worthy of your, your camera’s, and your audience’s attention.
The First 10,000 runs on passion (and an awful lot of caffeine). Buy me a coffee.